Steps Step One: Select a subject for your paper: ___________________________________________________________________________ Thematic Connections: Film and Imaginative Literature Narrowed topics: select a short story that we have read together in class, about which you have not previously written, and compare/contrast it with a thematically related film for thematic critical analysis; select a theme from a play, like The Glass Menagerie, and compare/contrast it with a thematically related film; select a poem (s) from our anthology and compare/contrast it thematically to a film.

QUESTION

Steps

Step One: Select a subject for your paper:
___________________________________________________________________________
Thematic Connections: Film and Imaginative Literature

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Steps Step One: Select a subject for your paper: ___________________________________________________________________________ Thematic Connections: Film and Imaginative Literature Narrowed topics: select a short story that we have read together in class, about which you have not previously written, and compare/contrast it with a thematically related film for thematic critical analysis; select a theme from a play, like The Glass Menagerie, and compare/contrast it with a thematically related film; select a poem (s) from our anthology and compare/contrast it thematically to a film.
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Narrowed topics:

select a short story that we have read together in class, about which you have not previously written, and compare/contrast it with a thematically related film for thematic critical analysis;

select a theme from a play, like The Glass Menagerie, and compare/contrast it with a thematically related film;

select a poem (s) from our anthology and compare/contrast it thematically to a film.

Past, successful examples:
a. “Where Are You Going, Where Have You Been?” with 13 or Mean Girls or Lovely Bones
b. “Cathedral” and Scent of a Woman.
c. “The Things They Carried” and Full Metal Jacket.
d. “A Good Man is Hard to Find” and No Country for Old Men.
e. “Sonny’s Blues” and Walk the Line, Pollock, Ray
f. “Cathedral” and Gran Torino
g. “My Papa’s Waltz” and This Boy’s Life
h. “Indian Education” and Crash
i. The Glass Menagerie and Dead Poet’s Society
j. “A Good Man is Hard to Find” and Batman: The Dark Knight
k. “The Things They Carried” and The Hurt Locker
l. The Glass Menagerie and A Streetcar Named Desire, film version
m. “The Road Not Taken” and Butterfly Effect
n. The Glass Menagerie and What’s Eating Gilbert Grape
o. “Sonny’s Blues” and A River Runs Through It

NOTE: You may feel free to use one of these examples. Just know that previous students have used them and have done exceptional work with them as a focus.

Where can you view films? The MVCC library has a wide array of films to choose from and you can watch them from home! For free!

https://lib.morainevalley.edu/libservices/DigitalResources.html

Goals:

Create a solid thesis to prove to your audience that meaningful, arguable connections tie the two works together thematically.

Locate, evaluate and correctly integrate appropriate secondary sources as a means of support & illustration.

Develop a well organized and substantive body with evidence, explanations, and logic.
__________________________________________________________________________
____________________________________________________________________________

Step Two: Generate and record your own opinions with regard to the work or subject matter. Get feedback from peers, professor, and/or The Speaking &Writing Center (available via remote consultation).

Step Three: Do Preliminary Research
A. Create a list of possible search terms to use for database inquiries;
B. Try multiple databases and full-text journals;
C. Meet online with an information specialist to discuss your project;
D. Based on your results, refine your search terms or rethink your term paper focus;
E. Select the best possible sources that meet the following criteria:
1. Reliable 2. Credible 3. Relevant 4. Timely 5. Appropriate

Step Four: Review and evaluate your research, highlighting, taking careful notes.

a. “Do you agree with the writers and their analyses, or are you in disagreement with a particular critic and her theories?
b. Have you discovered a new idea? Record it and give credit to the source.
c. Have you learned additional facts that deepen your understanding of the subject?” (McKeague 265). Record it and give credit to the source.
d. Will you need different resources? Think critically about your information needs.

Step Five: Formulate a working thesis that states your claims. Submit a Formal Topic Proposal.
(See upcoming due dates)

Step Six: Create an outline using the Literary Research Plan Sheet handout and consult with the professor via e-mail or online chat.

Step Seven: Write a draft of your paper.
Options:
a. share your writing with peers during a peer evaluation.*
b. make an online appointment with the Speaking & Writing Center to discuss thesis development, topic sentences, and organization.

Step Eight: Revise
a. make sure your thesis statement is clear, focused, assertive, and arguable. Avoid creating a “so what” construction!
b. follow the guidelines for creating analytical paragraphs (see handouts)
c. check sentences for clarity and appropriate word choice.
d. make sure “borrowed” ideas are attributed clearly to the original, correct source.
e. check the beginning of each paragraph for transitions or reader cues to help your reader follow your organizational pattern.
f. follow manuscript guidelines
d. make sure the Works Cited page follows MLA guidelines and is alphabetized by the author’s last name.
I will thematically compare/contrast the short story where are you going where have you been with the film mean girls

ANSWER

Thematic Connections: A Comparative Analysis of “Where Are You Going, Where Have You Been?” and “Mean Girls”

Introduction

In this paper, I will explore the thematic connections between Joyce Carol Oates’ short story “Where Are You Going, Where Have You Been?” and the film “Mean Girls.” By examining the portrayal of adolescence, the exploration of power dynamics, and the consequences of conformity, I aim to demonstrate how both works offer valuable insights into the complexities of youth culture. Through this comparative analysis, I will argue that these works share a common thematic thread, highlighting the challenges faced by young individuals as they navigate social pressures and strive for identity.

Thesis

While “Where Are You Going, Where Have You Been?” and “Mean Girls” differ in their narrative formats, time periods, and settings, they both delve into the themes of adolescence, power dynamics, and conformity. By examining these thematic connections, we gain a deeper understanding of the struggles faced by young individuals in different contexts, emphasizing the pervasive and timeless nature of these challenges.

 Adolescence: The Search for Identity

  1. Exploration of the protagonist’s coming-of-age journey in “Where Are You Going, Where Have You Been?”
  2. Depiction of high school life and the quest for identity in “Mean Girls”

Power Dynamics: Manipulation and Control

  1. Analysis of Arnold Friend’s manipulation of Connie in “Where Are You Going, Where Have You Been?”
  2. Examination of the “Plastics” and their hierarchical power structure in “Mean Girls”

 Consequences of Conformity: Individuality vs. Peer Pressure

  1. Connie’s struggle between conforming to societal expectations and asserting her individuality in “Where Are You Going, Where Have You Been?”
  2. The detrimental effects of conformity on the main characters in “Mean Girls”

Conclusion

Through a thematic analysis of “Where Are You Going, Where Have You Been?” and “Mean Girls,” it becomes evident that both works delve into the complexities of adolescence, power dynamics, and conformity. Despite their different narrative forms and settings, the thematic connections between these works highlight the universal challenges faced by young individuals. By exploring these themes, readers and viewers gain a deeper understanding of the struggles, pressures, and consequences that arise in the pursuit of identity and acceptance. Ultimately, this comparative analysis serves to underscore the timeless relevance and impact of these themes on the lives of young people.

Works Cited

– Oates, Joyce Carol. “Where Are You Going, Where Have You Been?” 

– Waters, Mark, director. “Mean Girls.”

 

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