QUESTION
ART&100
Worksheet 1: Four Works of Art
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Purpose: An introduction to visual art from a subjective standpoint. This worksheet engages critical thinking about what you like and dislike and to explain your choices in writing. Process: Using the external links located below and in module one in the Write About It section, find four artworks, one for each category below. You can choose an artwork from any medium (painting, drawing, sculpture, graphic design, photography, installation).
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Purpose: An introduction to visual art from a subjective standpoint. This worksheet engages critical thinking about what you like and dislike and to explain your choices in writing.
Process: Using the external links located below and in module one in the Write About It section, find four artworks, one for each category below. You can choose an artwork from any medium (painting, drawing, sculpture, graphic design, photography, installation).
EXTERNAL LINKS 2020.docx
- A work that you like and think is good.
- A work that you don’t like and don’t think is good.
- A work that you like, but suspect might not be good.
- A work that you don’t like but have to admit is good.
Explain your choices in a Word document. Be specific – why exactly did you place your selections in their particular categories? A short paragraph for each of your choices is enough.
If the information is available, cite each work with the artist’s name, title of the work, date, medium and location, plus a link to the site where you found it.
Include your images in the order listed above and cite the source where you found each image.
Upload the completed document to the drop box created for it in module 1 in Canvas. It’s in the “Write About It” section.
Criteria: Grading for this worksheet is determined by the following criteria:
Did you make four selections?
Are your selections in the correct order?
Do you stay away from vague, generalized statements?
Are your explanations clearly explained?
Do you mention specific attributes found in each selected image to help in your explanations?
Do you include a citation for each of your selections?
ANSWER
Four Works of Art: A Journey Through Subjectivity
Introduction
Art is a subjective realm that invites personal interpretation and evokes emotional responses. In this worksheet, I will present my choices for four works of art, each falling into distinct categories: a work that I like and think is good, a work that I don’t like and don’t think is good, a work that I like but suspect might not be good, and a work that I don’t like but have to admit is good. Through specific analysis and careful consideration, I will explain the rationale behind each selection, showcasing my critical thinking and understanding of visual art.
A work that I like and think is good
Title: “The Persistence of Memory”
Artist: Salvador Dalí
Date: 1931
Medium: Oil on canvas
Location: Museum of Modern Art, New York
Explanation:
One artwork that captivates me and exemplifies artistic excellence is Salvador Dalí’s “The Persistence of Memory.” This surrealist masterpiece challenges traditional notions of time and reality through its dreamlike imagery. The soft, melted clocks draped over various objects create a sense of distorted temporality and evoke a feeling of introspection. The precise brushwork and meticulous attention to detail demonstrate Dalí’s technical mastery. The composition, with its juxtaposition of sharp and soft elements, adds a dynamic tension that engages the viewer. This artwork’s ability to evoke a profound emotional response while showcasing Dalí’s skill makes it a work that I genuinely admire.
A work that I don’t like and don’t think is good
Title: “Untitled (Cowboy)”
Artist: Richard Prince
Date: 1989
Medium: Inkjet print
Location: Private Collection
Explanation
Richard Prince’s “Untitled (Cowboy)” falls into the category of a work that I don’t like and don’t think is good. This appropriation piece, consisting of a rephotographed Marlboro cigarette advertisement, fails to elicit any significant artistic value or originality in my opinion (Lemus, 2016). While the intention may have been to challenge the concept of authorship and the influence of commercialism, the execution feels superficial and lacking in artistic depth. The straightforward reproduction of an existing image without significant alteration or reinterpretation diminishes the impact of the artwork. I find this work uninteresting and lacking the artistic merit I expect from a thought-provoking piece.
A work that I like but suspect might not be good
Title: “Untitled”
Artist: Anonymous
Date: N/A
Medium: Street art mural
Location: City streets, London
Explanation
The anonymous street art mural I have selected for this category is a work that I like but suspect might not be good by conventional standards. This mural, depicting a whimsical scene of vibrant colors and abstract forms, caught my attention for its ability to bring joy and intrigue to a public space. While it may lack the technical refinement and formal training associated with traditional art, its raw energy and unfiltered expression have an undeniable appeal (Radwan, 2016). The use of bold colors, dynamic lines, and imaginative imagery creates a sense of wonder and invites viewers to interpret the piece in their own unique way. Despite its unconventional nature, this work possesses a distinct charm that resonates with me.
A work that I don’t like but have to admit is good
Title: “Les Demoiselles d’Avignon”
Artist: Pablo Picasso
Date: 1907
Medium: Oil on canvas
Location: Museum of Modern Art, New York
Explanation
Pablo Picasso’s “Les Demoiselles d’Avignon” is a work that I don’t personally like but have to admit is undeniably good. This seminal artwork marked a revolutionary shift in the history of art, introducing the world to Cubism. Picasso’s fragmented and distorted representation of the female figures challenges traditional notions of beauty and perspective (Lingen, 2016). The bold use of geometric shapes and angular forms creates a sense of tension and abstraction. While this work doesn’t resonate with me on a personal level, I acknowledge its profound impact on art history and its role in pushing boundaries, influencing subsequent artistic movements, and expanding the possibilities of visual expression.
Conclusion
By engaging in critical thinking and careful analysis, I have explored four distinct categories of artworks: those I like and think are good, those I don’t like and don’t think are good, those I like but suspect might not be good, and those I don’t like but have to admit are good. Through specific examination of each artwork’s attributes and personal response, I have developed a deeper understanding of my own artistic preferences and gained insights into the multifaceted nature of visual art. Art remains a realm where subjectivity thrives, and this exercise has allowed me to embrace diverse perspectives and appreciate the complexities of artistic expression.
References
Lemus, K. (2016). Why Art Photography. www.academia.edu. https://www.academia.edu/28752745/Why_Art_Photography
Lingen, C. (2016). Art And The Creative Process. www.academia.edu. https://www.academia.edu/24118565/Art_And_The_Creative_Process
Radwan, A. H. (2016). Urban street art as a sign of representing culture, economics & politics of the cities. Helwan. https://www.academia.edu/20120888/Urban_street_art_as_a_sign_of_representing_culture_economics_and_politics_of_the_cities