Create a dialogue for your play. Use each of the artists listed below. (Write in English) Each must participate in the dialogue and re-appear. Some re-appearance is required, for you want this to read as a dialogue, not just a series of monologues. Each artist must reference at least one work of art that you think will best exemplify this his or her aesthetics. Write in your own words. Do not use “direct quotes” you may “find” online; rather, write from your own informed position. You are a thinker and playwright for this assignment. You may reference screenplay formats to simulate them for this assignment.

QUESTION

Imagine: The principal Baroque artists come together in time and space to discuss what is most artistically important to them – an Estetica Conversazione! (or an aesthetics conversation). Imagine a stage set, and in walks these artists. What would their temperaments be like? How would they express their views? Which art works would you have them reference as examples of the perfect painting or sculpture, according to them? How would their regions of origin be a part of this aesthetic?
Assignment: Create a dialogue for your play. Use each of the artists listed below. (Write in English) Each must participate in the dialogue and re-appear. Some re-appearance is required, for you want this to read as a dialogue, not just a series of monologues. Each artist must reference at least one work of art that you think will best exemplify this his or her aesthetics. Write in your own words. Do not use “direct quotes” you may “find” online; rather, write from your own informed position. You are a thinker and playwright for this assignment. You may reference screenplay formats to simulate them for this assignment.
The Characters (or Artists) for your Play:
Bernini
Caravaggio
Gentilleschi
Rubens
Rembrandt
Poussin
Velazquez

Times New Roman, 12-font, double-spaced

ANSWER

Estetica Conversazione: A Dialogue Among Baroque Masters

INT. A STAGE SET – DAY

The stage is adorned with elaborate Baroque decorations. A long table is set at the center, surrounded by ornate chairs. Spotlights illuminate the stage, creating a dramatic ambiance. The sound of classical music fills the air. The audience eagerly awaits the arrival of the principal Baroque artists.

Enter BERNINI, CARAVAGGIO, GENTILLESCHI, RUBENS, REMBRANDT, POUSSIN, and VELAZQUEZ. Each artist displays a distinct temperament reflecting their artistic style.

BERNINI, an animated and passionate sculptor, takes his seat at the head of the table. He gestures emphatically as he speaks.

BERNINI My fellow artists, welcome to this Estetica Conversazione! Let us delve into the essence of our artistry. For me, the perfect sculpture captures a moment frozen in time, igniting the viewer’s emotions. Look at my “Apollo and Daphne,” with Apollo’s outstretched hand and Daphne’s transforming body—it epitomizes the dynamic power and theatricality of Baroque sculpture.

CARAVAGGIO, known for his intense chiaroscuro and dramatic realism, leans forward with an air of intrigue.

CARAVAGGIO Ah, Bernini, your sculptures indeed possess captivating energy. But in painting, light and shadow hold the key. Observe my “The Calling of St. Matthew.” The stark contrast between the divine light and the shadowed figures highlights the dramatic moment, drawing the viewer into the scene. The perfect painting, in my view, evokes raw emotion through powerful contrasts.

GENTILLESCHI, an esteemed female artist, exudes strength and determination. She nods in agreement with Caravaggio.

GENTILLESCHI Caravaggio, your mastery of light is truly remarkable. However, I believe art should also champion the female perspective. In my “Judith Slaying Holofernes,” the assertive Judith takes control, symbolizing the triumph of virtue over tyranny. The perfect artwork must embody both technical skill and a strong narrative, empowering women in a male-dominated society.

RUBENS, with his vibrant palette and grand compositions, raises his voice, filled with enthusiasm.

RUBENS Ah, the power of color! My “The Descent from the Cross” exemplifies the Baroque spirit—a harmonious blend of intense emotions and rich hues. The perfect painting, in my opinion, should be grand, inviting the viewer into a world of splendor and awe.

REMBRANDT, a master of portraiture and subtle lighting, observes the discussion quietly before chiming in.

REMBRANDT While grandeur has its place, I find beauty in the ordinary. Take my “The Night Watch” as an example. The characters’ expressive faces, illuminated by gentle light, reveal their individuality and humanity. The perfect artwork lies in capturing the soul, immersing the viewer in an intimate and profound experience.

POUSSIN, known for his classical style and meticulous compositions, speaks with measured eloquence.

POUSSIN Rembrandt, you emphasize the personal, but I believe art should strive for order and balance. My “Et in Arcadia Ego” portrays a serene landscape, inviting contemplation on the transience of life. The perfect artwork, in my view, harmonizes ideal forms and narratives, inspiring intellectual and philosophical reflection.

VELAZQUEZ, an accomplished court painter, observes the diverse perspectives with a discerning gaze.

VELAZQUEZ My esteemed colleagues, each of your artistic visions holds merit. In my “Las Meninas,” I seek to capture the fleeting moments of court life with an immersive realism. The perfect artwork must portray not only external beauty but also the complex layers of human existence, inviting the viewer to engage in a profound dialogue.

The artists engage in a lively discussion, weaving their opinions together and finding common ground amidst their unique styles and regional influences. The Estetica Conversazione becomes a celebration of the rich diversity of Baroque art, leaving a lasting impression on both the artists and the audience.

FADE OUT.